Rhino vray lighting setup

This can be adjusted in the sun setting, changing the brightness, by shifting the settings of Intensity multiplier parameter. Then you can do a couple of test renders to configure the optimal lighting of the room. Sometimes the sky gives a blue tint, and colors the room in blue.

After Photoshop Post Production. Rendering Blog. We do this it this way: Next, we need to turn on the Manual Sun Node parameter. Author Recent Posts. Maxim S. With 17 years of experience as a 3D visualizer, Maxim has mastered many programs and has the ability to complete a multitude of project types with a professionalism that exceeds your expectations.

Latest posts by Maxim S see all. You might also like Visualization of Exteriors: 3D Software review. Vray 3. There are a number of options availble for determining the the general atmosphere assocaited with rendering, light and shadows studies.

Some documentation used to develop this tutorial are published on line in the vV-Ray for Rhino manual published on-line at:. Create a Rhino File with a ground surface, catenary curve generated vault such as was done in the catenary curves and vault tutorial and add a layer for a sunlight and create the 3d model below.

With the mouse cursor placed with the left-mouse button in the command prompt area, select the return key or right mouse button to place the sun light symbol at the origin of the x-y plane. An expanded dialog box that opens to the right.

That is adjust the upward poining triangles below the color histogram. Re-render the same view and note that the lighting is more diffuse and a background sky is now simulated. To begin, select the first tab at the top-left of the V-Ray Asset Editor to change the dialog box to the material creation tools.

On the right hand side of the expanded dialog box , drag the diffuse light slider to the right to go from dark gray to neutral gray. Once the cloth is selected, expand the parameters of the bump map on the right-hand side of the dialog box that follows. This will increase the density of the cloth pattern result in a smaller scale of is more appropriate. In the parameters on the area of the texture mapping dialogue box, change XYZ size to 2. Render the view in V-Ray.

The result in the case below needs to be densified and the weight lighter by returning the the earllier parameters. If the the cloth weight is lowered to 0. Alternatively a random noise bump map could also be effective as an abstract alternative. Create a sphere inside Rhino adjacent to the vault, apply the aluminium material to it. At the scale of representation, the noise pattern is easier to control and abstractly appears to be superior.

These changes resulted in the following rendering. Details: Fully ready-made Rhinoceros scene setups and settings with V-Ray for photorealistic and high-quality jewelry 3D rendering.

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